There is so much stuff out there that I don’t know -things that I hadn’t even thought of as knowledge. Things that I just accepted as ‘givens’. You know, take the ability to understand something like, say, an arrangement of numbers as a series rather than a bunch of numbers, or the ability to extract meaning from some sounds -for example words spoken in English- and yet not others in a different language.
And, perhaps equally mysterious is the moment when that epiphany strikes. What suddenly changes those numbers into a series? Is it similar to what makes figure-ground alterations flip back and forth in my head: aspect perception? Is it analogous to the assignation of meaning to things -or, indeed, picking them out of the chaos of background and recognizing them as somehow special in the first place? Is it what Plato meant when he referred to the Forms –‘chairness’ or ‘tableness’ for example- abstractions that allow us to identify either, no matter how varied the shapes or sizes -the true essence of what things really are?
I suppose I’m becoming rather opaque -or is it obtuse?- but the whole idea of aspect perception, of ‘seeing as’, is an exciting, yet labyrinthine terra incognita, don’t you think? I’m afraid that what started it all was an essay in the online Aeon publication: https://aeon.co/ideas/do-you-see-a-duck-or-a-rabbit-just-what-is-aspect-perception
It was the edited version of an essay written by Stephen Law, the editor of the Royal Institute of Philosophy journal THINK. He begins by discussing some of the figure-ground changes found in, say Necker cubes whose sides keep flipping back and forth (a type of aspect perception) and then suggests that ‘A[nother] reason why changes in aspect perception might be thought philosophically significant is that they draw our attention to the fact that we see aspects all the time, though we don’t usually notice we’re doing so… For example, when I see a pair of scissors, I don’t see them as a mere physical thing – I immediately grasp that this is a tool with which I can do various things.’
Another example might be ‘…our ability to suddenly ‘get’ a tune or a rule, so we are then able to carry on ourselves.’ Or, how about religion? ‘The idea of ‘seeing as’ also crops up in religious thinking. Some religious folk suggest that belief in God doesn’t consist in signing up to a certain hypothesis, but rather in a way of seeing things.’ But then the caveat: ‘Seeing something as a so-and-so doesn’t guarantee that it is a so-and-so. I might see a pile of clothes in the shadows at the end of my bed as a monster. But of course, if I believe it’s a monster, then I’m very much mistaken.’
I have always loved wandering around bookstores. Maybe it’s an asylum -a refuge from the noisy street, or a spiritual sanctuary in a chaotic mall -but it’s more likely that the range and choice of books allows me to exercise an epiphanic region of my brain, and to practice ‘seeing as’ to my heart’s content. I’d never thought of bookstores as exercise before, of course, but I suppose the seed of ‘understanding as’ was sown by that article… or maybe it was the little girl.
Shortly after reading the essay, I found myself wandering blissfully through the quiet aisles of a rather large bookstore that seemed otologically removed from the noisy mall in which it hid. Coloured titles greeted me like silent hawkers in a park, the ones that sat dislodged from their otherwise tidy rows, sometimes reaching out to me with greater promise: curiosity, as to why someone might have dislodged them, perhaps. But nonetheless, I also found myself amused at their choices: book shops are catholic in the selection they proffer and I relish the opportunity to switch my perspectives… and expand my Weltanschauung, as the Philosophy section into which I had meandered might have put it when the thought occurred.
Of course, unexpected concepts like that are one of the delights of a bookstore -turn a corner into a different aisle and the world changes. It’s where I met the little girl talking to her mother about something in a book she was holding.
No more than four or five years old, she was wearing what I suppose was a pink Princess costume, and trying to be very… mature. Her mother, on the other hand, was dressed for the mall: black baseball cap, jeans, sneakers, and a grey sweatshirt with a yellow mustard stain on the front. Maybe they’d just come from a party, or, more likely, the Food Court, but the mother was trying to explain something in the book to her little daughter. The aisle wasn’t in the children’s section, but seemed to have a lot of titles about puzzles, and illusions, so maybe they’d wandered into it for something different: for surprises.
As I pretended to examine some books nearby, I noticed a Necker’s cube prominently displayed on the page the girl was holding open.
“Why does it do that, mommy?” Even as she spoke the perspective of the cube was flipping back and forth, with one face, then another seeming to be closer.
The mother smiled at this obvious teaching moment.
“It’s a great idea, anyway,” the daughter continued, before she got an answer.
“Idea…?” the mother said, with a patient look on her face. “What’s the idea, Angie?”
Angie scrunched her forehead and gave her mother a rather condescending look. “It’s an exercise book, remember?”
That apparently caught the mother by surprise. “It’s a book of puzzles and magic, sweetheart. I didn’t see any exercises.”
Angie rolled her eyes at her mother’s obvious obtuseness. “The nexercise cube, mommy…!”
“Necker’s cube, sweetie,” she responded, trying to suppress a giggle. “It’s not an exercise cube.”
But Angie was having none of that, and stared at her like a teacher with a slow pupil. “It keeps making my mind move, mommy!” She shook her head in an obviously disappointed rebuke. “That’s exercise.”
I slipped back around the corner, unnoticed by them both I think. I felt I’d intruded on a very intimate moment and I didn’t want to trespass, but I couldn’t help wondering if Angie had come far closer to understanding Plato’s Forms than her mother or I could ever hope to.